Overall, I found The Buddha in the Attic to be a forgettable read and if it had been more deft in size may not have finished it.Julie Otsuka’s long awaited follow-up to When the Emperor Was Divine (“To watch Emperor catching on with teachers and students in vast numbers is to grasp what must have happened at the outset for novels like Lord of the Flies and To Kill a Mockingbird” - The New York Times) is a tour de force of economy and precision, a novel that tells the story of a group of young women brought over from Japan to San Francisco as ‘picture brides’ nearly a century ago. Although, this could also be a personal taste because I find 1940s war era much more intriguing. I thought the chapters were much better formed and captivating. The first part of the novel had trouble keeping my attention due to the “fragment thing” The second part, in which we gear up for WWII and suspicions start to rise upon their loyalty I found much more interesting. This is not to say the The Buddha in the Attic was uninteresting, it was a curious glance at the women of that ethnicity and their treatment during the early 1900s. I think the part that bothered me about this novel is that there was no designated main character or heroine, and for the most part stayed anonymous coming off as hypothetical statements. The Buddha in the Attic was an interesting plot in theory but felt like the story was told in fragments almost as if the narrator forgot what they were going to say and just trailed off.

In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land to their arrival in San Francisco and their tremulous first nights as new wives to their backbreaking work picking fruit in the fields and scrubbing the floors of white women to their struggles to master a new language and a new culture to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history to the deracinating arrival of war. Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.

Review of the buddha in the attic